Description
Masterpieces is the first solo album by award-winning Brazilian guitarist Marcos De Ros . The album, which was released in 1999 on an independent label, is the first part of his solo albums aimed at honoring classical composers that inspired him
Being a great fan of classical pieces being transcribed into a metallic version, I had great expectations from this album. I was not disappointed. Marcos De Ros shows once again that he has a great skill in performance and no less in the arrangement of the pieces. Indeed, the chosen classical pieces are masterpieces and I hear some of them for the first time in metal version.
Opening with Bizets “Prelude” from Carmen, leading into “Aragonaise”, the sound is clean and not much distorted yet, with the flute nicely put into the “Prelude” and the
Spanish-sounding guitar entering later. “Mother Nature” is a tune composed by both Marcos De Ros and J. S. Bach! The backing harmony is the keyboard version of Bachs Prelude for Lute BWV 999 with Awesome, clean vocals by Franciele Duarte. Mozarts Turkish March is always a welcome addition to any album, and the distorted guitar adds a new flavor to it, similarly to the touch in Paganinis “Caprice #17”, crunchy and tasty. Returning to Brazil, next comes Heitor Villa-Lobos’ “Bachiana #5”. This is one of the best parts of this great album,marvelous composition, with marvelous guitars from Marcos. Rafael Gubert sings in a powerful tone, reminding me of a rock opera. This leads into Bachs “Violin Concerto in Am” no words can express the beauty of this German compositors quality, which never ends. A spectacular piece, no matter who performs it, but Marcos De Ros does it very well and the distortion is welcome to it, not to mention the accompanying keyboards of Gilberto Salvagni. The series of great parts continues with a short Mozart “Rondo”, performed by keyboards and acoustic guitar. As with all J.S. Bach pieces on this album, “Invention #4” is incredibleThen we have “Meditation De Thais” by Massenet and it is a nice relaxed piece of music, after all the fast-paced passages of Bach & Sons (“Solfeggietto” by C. P. E. Bach is also superbly done – the best version of this piece that I know of). The two Romanian – Hungarian folk tunes are even faster than what I expected them to be! Montis “Czardas” is usually fast, but Marcos shows great technique and a very fast pace is set to this, after a slower intro. Brahms’ Hungarian Dance is done very good on guitar, with somewhat more tricks than others (‘whistles’ and sole-left-hand-playing’?). To end the album, it cannot be better than Bach, and “Prelude #2 in Cm” is chosen for the task, in one of the best metal versions I have ever heard of it (and there are many of these!!!). To conclude, this is undoubtedly one of the best classical cover albums out there] Brazilian import
Tracks
No. | Title | Composer (s) | Duration | |
---|---|---|---|---|
1. | “Prelude from Carmen” | 01:16 | ||
2. | Aragonaise | 02:15 | ||
3 | ” Flight of the Bumblebee “ | 01:03 | ||
4 | “Mother Nature” | 01:59 | ||
5 | “Turkish March” | 02:51 | ||
6 | “Caprice # 17” | 02:34 | ||
7 | “Bachiana # 5” | 05:12 | ||
8 | “Violin Concert In Am” | 03:33 | ||
9 | “Rondo” | 01:14 | ||
10 | “Solfeggietto” | 01:51 | ||
11 | “Invention # 4” | 00:51 | ||
12 | “Thais Meditation” | 05:06 | ||
13 | “Hungarian Dance # 5” | 02:28 | ||
14 | “Czardas” | 03:39 | ||
15 | “Holy Mary” | 02:53 | ||
16 | “Prelude # 2 in Cm” | 04:57 | ||
Total Duration:
|
43:42 |
Marcos De Ros: “Masterpieces” was recorded due to my my background in classical music. When I first start to study violin, I learned two things that I didn’t know as a guitar student:
1. The discipline of methodical study, where you must do the right movements to get the best results. Because of that, I learned a thing that I called “mechanization” of the exercises.
2. Repertoire. A classical musician is not into improvisational techniques. So, what does he play? He plays songs that he studies daily! These songs that are mastered create their repertoire.
Then I start to put these principles into my guitar study. At some point, I discovered that I could play enough songs to record an entire CD and more! So I start to think about arrangements, and voila – “Masterpieces” was born!
Marcos De Ros: Well, I have some friends that are orchestral conductors (maestros), and I really have some fears about what they will think about my versions. But they are very open-minded people and they liked them! But, please pay attention to my word choice: I said they “liked” them, I didn’t say they “loved” them (laughs)!
Marcos De Ros: It happened in a very natural way. Before I even dreamed of recording the songs, I just chose the ones that I really like. When I start to think about recording, I had to choose the best sounding ones for an electric guitar, which was very easy, ’cause everything sounds great on a guitar (laughs)!
Marcos De Ros: It’s hard to explain. Each song has its particularities, and there’s the aspects that make me love each song. Sometimes a special melody, or the rhythm or even the harmony. Once I know what is the thing that I love in this particular song, I try emphasizing that and add some of my own musicality to it. For example, I love how “The Flight of the Bumblebee” has this intense and non-stop feeling of flight, so I just did this guitar/piano version. But on “Meditation of Thais”, I need something even more dramatic, so the female voice was the real lead part, while the guitar plays the melody. It seems a paradox, but you have to listen to understand that! Each song has its own joy, and requires some particular arrangement and feeling.
Marcos De Ros: To tell you the truth, this isn’t exactly an album. As I love to play live, I always want to do more concerts than it’s possible for a band outside the mainstream. To play in places where they cannot pay the expenses for an entire band, I travel with only my guitar and a CD where I have my own backing tracks. And I noticed that the public reacts very well to these concerts! So to do a more entertaining concert, I began to sing some songs. But to sing live, I need to practice a lot, so I started to work with some songs that I’ve heard my whole life – and record them!
Later, I realized that I had enough tracks to release a CD, but, due to it not being a top quality studio record, I just released it through the Internet. On my page on YouTube you can find almost all the songs! I remember the excitement recording “Space Truckin'” (Deep Purple), ’cause this is a song that I listened to every morning to wake up when I was a kid. “Little Wing” (Jimi Hendrix) was great to,o ’cause I was courageous enough to do a very different version of this classic (with all due respect to Jimi). To tell you the truth, each song is from an important moment in my life.
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