John Lennon & Yoko Ono – Double Fantasy LP Geffen Records Greece Greek pressing 1980. Classic Rock. Contains classics, like: “(Just Like) Starting Over”, “Woman”, “Watching the Wheels”. Check audio (whole LP)

Upon its release, Double Fantasy by no means attracted universal acclaim. Within weeks of that initial scepticism, however, a work that had at first seemed irredeemably self-absorbed was transformed into poignant by John Lennon’s murder at the hands of a gun-wielding ex-fan.

We will never know whether a critical rehabilitation would have naturally occurred when people got over their initial shock: first, at the fact that half of Lennon’s comeback album after a five-year absence was composed of cuts by wife Yoko Ono, and secondly at John’s evident lack of interest in living up to his previous image of scornful rock‘n’roll revolutionary. However, it has to be said that much of the world has an erroneous impression of this album’s contents. It is a far, far tougher record than is understood by those who have only heard (Just Like) Starting Over, Beautiful Boy (Darling Boy), Watching the Wheels and Woman. The heavy airplay said cuts (all Lennon songs) received created an impression among those who did not possess the album of a soporific, gushing work on which John let his domestic bliss overwhelm his usual descriptive and analytical gifts. This impression will have put many off purchasing the album – and prevented them from apprehending that it contains some biting music not even hinted at in those songs. Ditto for its nuanced examination of marriage.

Completely unexpectedly, Yoko’s songs are just as good as her husband’s, an example being Kiss Kiss Kiss, in which avant-garde drop-outs and spoken-word Japanese overdubs go hand in hand with piercing guitar work. She consistently sings beautifully, banishing forever memories of her infamous caterwauling on the Live Peace in Toronto album. Not that John is slack: his Cleanup Time is powerful rock which incongruously celebrates his househusband status, and while Dear Yoko sees him giving thanks to his wife simply for existing, such sentimentality doesn’t preclude a delightful strutting old-time rock‘n’roll backdrop.

Meanwhile, on three pulsating tracks sequenced together – Give Me Something (Yoko), I’m Losing You (John) and I’m Moving On (Yoko) – the couple seem to be engaging in a dialogue about the sometimes perilous terrain of marriage. In a perfect symbol of the way that the two have become one, the closing Hard Times Are Over is a Yoko track that, in its vulnerability and surrender to love, would make you swear it was a John song.

During a 1975 interview on “The Tomorrow Show” with Tom Snyder, John Lennon described his wife Yoko Ono as being “The world’s most famous unknown artist.” I can’t think of a better way to describe the public’s ongoing attitude towards her. What does the average music fan think they know about Yoko Ono? That she’s a bit of a nut? That she broke up the Beatles? That her music is awful? Let’s face it, The public seems to have a toxic relationship with Yoko Ono, but rarely does the people at the other end of their one sided criticism actually know much about the woman herself.

Do you know what I hate more than listening to one of her songs? Listening to people talk smack about Yoko Ono. Perhaps if they only took a few moments to scratch the surface of her life and her world perspective then they would give this beautiful, strong and intelligent advocate for peace the respect that she rightfully deserves.

Now let me be honest. I’m not a fan of her music. Not many people are. I’m aware that she has had a resurgence of popularity amongst electronic music fans, but its not my bag. When listening to the songs that she recorded for the 1980 album “Double Fantasy,” released three weeks prior to John Lennon’s murder, I believe that love might not only be blind, but it might be deaf too. But let me tell you this. My spouse Griz is no Karen Carpenter, but I love the sound of their singing too. I can get behind John putting Yoko’s music on “Double Fantasy.”

But that’s beside this point. It’s not the music that makes Yoko important as an artist or creator. I think she’s has a brilliant mind and a beautiful soul and has had a unique perspective on war and peace, love and hate and loss and compassion which few people have ever been able to have. I also question if John Lennon would have ever written a masterpiece like “Imagine” without the influence of Yoko Ono. I highly doubt he could.

Now I’ll admit I didn’t always feel this way. Like most people, I took Yoko Ono at face value and bought into the popular school of thought, thinking that she was some sort of Avant Garde weirdo and thought little about her further than the usual things that Beatle fans say of her. So, when a massive Yoko Ono art exhibit came to Toronto in 2001, me and some friends went to see it. I expected to look at some whackado art and have a couple of chuckles at how weird Yoko Ono was. Well, I was wrong. It was an eye opening and inspirational afternoon at the art gallery. I’d come across some sort of strangely displayed object on and not really know what I was looking at. But when I read the description of what it represented I was often struck how clever Yoko’s explanation of the meaning of the art was. Her work was original and often brilliant. But most of all her themes were beautiful – peace, love, tranquility, positivity. My mind was changed about Yoko Ono that day. I discovered she was possibly one of the greatest intellectuals in pop culture history.

But then I began to do a deep dive into Yoko Ono’s life, and I am still shocked how few people know anything about her interesting and often dramatic childhood, and how it shaped her art and her world view.

Born in Tokyo in 1933, Yoko was born into a wealthy family. Her father was an international baker, and early in her childhood the family relocated to San Francisco. With most of her earliest memories being formed in America, the family returned to Tokyo, and once again moved to New York City while Yoko was a child. So Yoko had a unique experience in her early childhood of living in both Japan and the United States. She would experience both cultures, and create relationships with people in both countries. This would play an important role in what would come next.

In 1941, when Yoko was eight years old, her family was living in New York City when her father was suddenly summonsed back to Hanoi. Someone in the company must have known something was brewing because later that year Japan attacked Pearl Harbor and America and Japan were now part of the Second World War. The Ono family bunkered down in Tokyo as American bombs rained down on the city, and death and destruction was all around them. The once rich and privileged family did not fare well. Yoko’s father disappeared, and he was believed to have met his death in a Chinese POW camp. Eventually left starving and homeless, Yoko and her family carried their belongs through the countryside in a wheel barrow, begging for food and struggling for survival. Everywhere around her, young Yoko could see the horrors and the devastation of war.

But, while Japan’s propaganda machine was blaming the evil American’s for the destruction of Japan, Yoko still held on to the memories of her experiences in America from her childhood. She had a positive experience with people she left behind in America. She knew that Americans were no more evil as the people around her were. It wasn’t normal citizens who were evil. It was war, intolerance, greed and hate that created the death and desolation around her. A victim of war, Yoko Ono recognized the value and importance of peace.

So when her family returned to New York in 1946, Yoko began to start her career as an Avant Garde artist, and brought her unique world view to her art, putting these messages of peace and brotherhood into her work. Meanwhile, she entered Sarah Lawrence College where she studied philosophy, literature and, yes, musical composition. Ironically, Yoko Ono had more musical education than any of the Beatles.

Often I hear people question “What did John Lennon see in Yoko Ono?” Do you know what I think he saw in her? He saw her brain. Like John Lennon, Yoko Ono is an intellectual and I believe that they challenged each other on a cerebral level. I can attest that a smart woman can be extremely sexy, and in Yoko John found an intellectual match.

But also remember that John Lennon wasn’t always the easiest guy to deal with. He was a terrible husband and father, a violent drunk, and could be snobbish, dismissive and cynical. I think there was something in Yoko’s messages of love and brotherhood that calmed that rage in John, at least somewhat. History showed he slipped at times (ie “the long weekend), but Lennon at least seemed to try to step up as a partner and a man.

But what can’t be ignored is the fact that John’s interest in peace and brotherhood started when he met Yoko Ono. When you look through his Beatles work, John didn’t seem to be at all focused on any of these concepts, and this more political side of him came through once Yoko Ono was in his life. I’m not saying that Yoko was the architect of these ideas, but she was obviously an influence. Look – we learn and we gain knowledge via the people we love. Through knowing Yoko on an intimate level, John Lennon adopted his own political message of peace, and together they were able to convey these ideas in an interesting manner that caught the attention of the world.