Deep Purple – The Book Of Taliesyn LP 1969, Vinyl. RARE Greek pressing (near mint condition). Greece Hellas. 14C 062-4000 [14C 062-04000] Check the exclusive video, showing the vinyl for sale!

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Check the exclusive video, showing the vinyl for sale!

Check the exclusive video, showing the vinyl for sale!



Label: Harvest – 14C 062-4000 [14C 062-04000]
Format: Vinyl, LP, Album
Country: Greece
Released: 1979
Genre: Rock, Hard Rock, Prog Rock
A1 Listen, Learn, Read On
Written-By – Lord*, Blackmore*, Evans*
A2 Wring That Neck
Written-By – Paice*, Lord*, Simper*, Blackmore*
A3 Kentucky Woman
Written-By – Neil Diamond
A4 (a) Exposition
Written-By – Paice*, Lord*, Simper*, Blackmore*
A4 (b) We Can Work It Out
Written-By – Lennon-McCartney
B1 Shield
Written-By – Lord*, Blackmore*, Evans*
B2 Anthem
Arranged By [String Arrangement] – Jon Lord
Written-By – Lord*, Evans*
B3 River Deep, Mountain High
Written-By – Spector-Barry-Greenwich*
Made By – EMI
Record Company – EMIAL S.A.
Made By – EMI Greece S.A.
Printed By – EMI Greece S.A.
Pressed By – Columbia, Athens – 8126
Recorded At – De Lane Lea Studios
Photography By [B/W Cover Photos] – Richard Imrie
Recorded By – Barry Ainsworth
First cat# on labels, Second one on spine and back cover
Matrix / Runout (Side A): SHVL 751 A-4
Matrix / Runout (Side B): SHVL 751 B-3
Matrix / Runout (Side A): SHVL 751 A-1G
Other (On back cover): MT.8126

I am very surprised by the poor consideration the progressive rock fans have for this record. Does my radically reversed interest for it result from a sentimental attachment, back to my discovery of this work which seemed so strangely beautiful to the 8 or 9 years old boy who discovered it in the early 1970’s, seeing there a bridge between classical and rock, at the same time as in “Trespass” and “Take a pebble”. “The book of Taliesyn” is, in my opinion, the most beautiful work of Deep Purple.

Certainly, “In Rock” remains his masterpiece, because of its energy, virtuosity, the precision of the themes, etc. But it’s pure hard rock, even “Child in time” and its prominent organ has no obvious prog feature. “The book of Taliesyn” is a pure progressive rock album.

Maybe the two easy songs of the album, “Listen, learn, read on” and “Kentucky woman”, have disappointed some listeners. I recognize the second one may seem to reveal an uncertain taste ! But the five other pieces elaborate a collection of finely crafted melodies with permanent classical references. For instance, the beautiful violin and organ solos in “Anthem” ; or “Exposition”, a solemn opening to one of McCartney’s masterpieces : “We can work it out” that seems to me transcended here.

The instrumental “Wring that neck” could have been composed by Keith Emerson but the virtuoso keyboards is enriched with a sharp guitar. Maybe John Lord has never played better than in this fired piece and his dialogue with Ritchie Blackmore is quite exciting. In the splendid version of “We can work it out” and all along the subtle tempo of “Shield”, Rod Evans’ deep and majestic voice could remind Greg Lake’s singing.

And in the end, Deep Purple managed to make a great symphonic piece of a famous rhythm and blues top hits ! A little bit pompous sometimes, undoubtedly, but isn’t emphasis an element of prog rock ?


This has to be THE most underrated album of all time. A masterpiece for sure.

Man, I tell ya Rod Evans is f***ing incredible. I sat there for 35 minutes in absolute awe of his voice. Surely that voice alone earns this album 3 stars MINIMUM.

My 2 favourite tracks from this album “Shield” and “Anthem” are proto-prog masterpieces. How can people not see this? Brooding atmosphere with hypnotic overtones and Evans’ sonically divine vocals. Impeccable stuff right here.

And Deep Purple covering The Beatles “We Can Work It” ! Fusing 2 incredible styles together to form one ultimate track. I see no problems here.


I give “The Book of Taliesyn” the 5-star rating. Taliesyn’s Deep Purple isn’t “Machine Head’s Deep Purple, and “Machine Head’s Deep Purple isn’t “Bananas'” Deep Purple etc. Half of of the LP is covers (and if you didn’t know- even track 4 – We Can Work it Out’s Exposition is a cover- for Beethoven’s seventh symphony-2nd movement). BUT these are the common standards for rating (everyone rates by band and ignore any historical changes the band has been through), so that’s how I will rate.

The album has a few highlights – Listen Learn Read On (one of the best album openings I have ever heard), Shield and Anthem. The album makes you notice how colourful this band is. Each of the band members of that period of Deep Purple present their abilities and talent, and together construct (in my opinion) Deep Purple’s best album so far.

As compared to Deep Purple’s other albums and as compared to every other album I know, I decided to give the 5-star rating. Everyone can say whatever they want, but I think that this album is no less then a MUST-HEAR album for every rock fan. It’s pure fun.

My rating is 5/5


Great album, great covers. Rod Evans was a real good singer. The shape of things to come by the band that would dominate hard rock in the early to mid 70’s!! Recommended.


5.0 out of 5 stars At Their Best
Back in 1969 a friend at college turned me on to Deep Purple, and ‘Book of Taliesyn’ was the album. I was a budding bass player, and fell in love instantly. The songs range from amazing to great, and their cover of Neil Diamond’s ‘Kentucky Woman’ is as perfect as rock and roll gets. In the late ’70s it was common for a fan to ask another “Ian Gillan or David Coverdale”? My answer was always “Rod Evans!”
For me this will always be the best Deep Purple line-up, but of course that’s because it was my introduction to the band and my favorite songs they ever made, and your first is always the one you remember.


5.0 out of 5 stars A true classic
This album portends the emergence of one of the greatest bands of all time. Best of all, this is a truly high quality recording. A definite must-have for diehard Deep Purple fans.


5.0 out of 5 stars Greatness.
Very strong album for it’s time. Mark 1 Deep Purple. Though recording techniques have come a long way, the first 3 Purple albums are quite enjoyable

Deep Purple lyrics
The Book of Taliesyn

Listen, Learn, Read On
(Blackmore/Lord/Evans)

In ages past when spells were cast
In a time of men and steel
Where a man was taught no special thing
It was all done by feel

So listen, so learn, so read on
You gotta turn the page, read the book of Taliesyn

Hear the song of lovely Joan
Her sound so sweet and clear
In the courtroom of the King
Among dukedom and the peers

So listen, so learn, so read on
You gotta turn the page, read the book of Taliesyn

Now hear ye the words of Taliesyn
On the foaming beach of the ocean, in the day of trouble
I shall be of more service to thee than three hundred salmon…

The hare he bounds across the page
Past castles white and fair
To dreaming chessmen on their boards
Where the fool’s mate is a snare

So listen, so learn, so read on
You gotta turn the page, read the book of Taliesyn

So listen, so learn, so read on
You gotta turn the page, read the book of Taliesyn

Three times I have been born, I know through meditation…

The bird he flies the distance
From pages two to six
Past minstrels in their boxes
To the waters of the snakes

So listen, so learn, so read on
You gotta turn the page, read the book of Taliesyn

Don’t take the pictures lightly
Listen to their sound
For from their coloured feeling
Experience is found

So listen, so learn, so read on
You gotta turn the page, read the book of Taliesyn

All the sciences of the world are collected in my breast
For I know what has been, what is now
And what hereafter will occur…

© Hec Music

Kentucky Woman
(Diamond)

Kentucky woman she shines in her own kind of light
She looks at you once and a day what’s wrong is alright
And I love her, God knows I love her

Kentucky woman
She gets to know you
She gets to own you, yes she does
Kentucky woman

She ain’t the kind to turn at the drop of her name
Well all the things she does they turn you on just the same
And I love her, God knows I love her

Kentucky woman
She gets to know you
She gets to own you
Kentucky woman

I don’t want much
The good Lord’s earth beneath my feet
A gentle touch
And that one girl in life is sweet and good
There ain’t no doubt, talking about

Kentucky woman
She gets to know you
She gets to own you
Kentucky woman

Kentucky woman she shines in her own kind of light
Oh she looks at you once and a day what’s wrong is alright
And I love her, yes I do, I love my

Kentucky woman
She gets to know you, yes she does
She gets to own you
Kentucky woman

Kentucky woman, Kentucky woman, Kentucky woman, Kentucky woman

© Sony Music Publishing

We Can Work It Out
(Lennon/McCartney)

Try to see it my way
Do I have to keep on talking ’til I can’t go on?
While you see it your way
Run the risk of knowing that our love will soon be gone

We can work it out
We can work it out

Think of what you’re saying
You can get it wrong and still you think that it’s alright
Think of what I’m saying
We can work it out and get it straight or say goodnight

We can work it out
We can work it out

Life is very short and there’s no time
For fussing and fighting my friend
I have always thought that it’s a crime
So I will ask you once again
I’ll ask you once again

Try to see it my way
Only time will tell if I am right or I am wrong
While I see it your way
There’s a chance that we might fall apart before too long

We can work it out
We can work it out

Life is very short and there’s no time
For fussing and fighting my friend
I have always thought that it’s a crime
So I will ask you once again
I’ll ask you once again

Try to see it my way
Only time will tell if I am right or I am wrong
While I see it your way
There’s a chance that we might fall apart before too long

We can work it out
We can work it out

At least we can try
We can try out to work it out someday

© Northern Songs Ltd.

Shield
(Lord/Blackmore/Evans)

Mama plays a queen on the hill built on a dream
While her children play in the field
Papa smokes the pipe of a sweet and better life
But how strong is the shield?

Can peace be found on the carpet above ground?
Where sky is forever blue

So let it pass baby now
The slow inviting cloud
Which may take me from you

Many things a man can lose, his health, his rights, his views
But never his heart or his love
So take this hand of mine and climb baby, climb
To the hill up above

Now you can play a queen on that hill built on a dream
While our children play in the field

I can smoke the pipe of a sweet and better life
And trust in the strength of the shield

So trust in your love, and you’ll see up above
And let life pass like a wheel
Don’t take the chance of life’s hectic dance
Kiss the strength of the shield

The seeker will be found by the looker underground
And to his wish ye will yield

Fate will have it’s word, of course
But time will change it’s course
And hold the strength of the shield

© Hec Music

Anthem
(Lord/Evans)

When the night winds softly blow
Through my open window
Then I start to remember
The girl that brought me joy
Now the night winds softly blow
Sadness to tomorrow
Bringing tears to eyes so tired
Eyes I thought could cry no more

If the day would only come
Then you might just appear
Even though you’d soon be gone
When I reached out my hand

If I could see you
If only I could see you
To see if you are laughing or crying
When the night winds softly blow

In my dark and whispering room
Memories still bring me
A numbness to my feelings
Take my hand and brush my brow
In the warm and fevered dark
Heart is madly beating
My crazy thoughts are worrying
When the night winds softly blow

If the day would only come
Then you might just appear
Even though you’d soon be gone
When I reached out my hand

If I could see you
If only I could see you
To see if you are laughing or crying
When the night winds softly blow

If the day would only come
Then you might just appear
Even though you’d soon be gone
When I reached out my hand

If I could see you
If only I could see you
To see if you are laughing or crying
When the night winds softly blow

© Hec Music

River Deep, Mountain High
(Spector/Greenwich/Barry)

When you were a young girl
Did you have a rag doll, the only doll you’ve ever owned?
Now I’ll love you just the way you loved that rag doll
Only now my love has grown

Oh, and it gets stronger as the river flows
Deeper baby, heaven knows
Higher, as it goes

Do I love you, my oh my?
River deep, mountain high, yeah, yeah, yeah
Do I love you, would I cry?
Oh I love you baby, baby, baby, baby

When you were a young girl
Did you have a puppy, that always followed you around?
Well I’m gonna be as faithful as that puppy
No I’ll never never let you down

‘Cos it gets stronger as the river flows
And it gets deeper baby, heaven knows
It gets higher, so higher, as it goes

Do I love you, my oh my?
River deep, mountain high, yeah, yeah, yeah
Do I love you, would I cry?
Oh I love you baby, baby, baby, baby

Well I love you baby like a flower loves the spring
And I love you baby like a robin likes to sing
And I love you baby like a schoolboy likes his pie
Oh and I love you baby
River deep, mountain high

Do I love you, my oh my?
River deep, mountain high, yeah, yeah, yeah
Do I love you, would I cry?
Oh I love you baby, baby, baby, baby

Do I love you, my oh my?
River deep, mountain high, yeah, yeah, yeah
Do I love you, would I cry?
Oh I love you baby, baby, baby, baby

© Mother Bertha Music Ltd./ABKO Music Ltd./Rondor Music (London) Ltd

Oh No No No
(Russell/Leander)

You think by leaving me the sun will go away
You think that if you go there’ll be no other way
But your leaving now won’t even spoil my day

Oh no no no
Oh no no no

You keep a-waiting for the tears I’m supposed to cry
The promise leaves so I’m supposed to die
I’d forgotten who you were until you dropped on by

Oh no no no
Oh no no no
Oh no no no
Oh no no no

You think I’m guilty throwing off the likes of you
That there’ll be no one else but there’ll be quite a few
At least I’ve got my head but somehow I’ll pull through

Oh no no no
Oh no no no
Oh no no no
Oh no no no

Oh no no no
Oh no no no
Oh no no no
Oh no no no

Copyright Control

It’s All Over
(King/Berns)

Outside her window
That’s where I am every night and every day
But outside her window
I cry, I cried my life away

There’s a jukebox a-playin’
A half a block down
Singing I’m going to the river
I’m gonna jump on in and drown
But I ain’t gonna do it, no
Just gonna keep on hanging around

Oh it’s all over
Oh it’s all over
All over
Now, now, now, now

But outside her window
A pretty bird comes to play
And I know, I know I must have cried a teardrop
Because I scared that pretty little thing right on away

When I see two young lovers
Walkin’ down the street
It just hits me
When I see their two lips meet
Oh I put my head
Right over where my heart used to be, ‘cos

It’s all over
Oh don’t tell me it’s all over
It’s all over
Now, now, now, now

Copyright Control

Hey Bop A Re Bop
(Lord/Blackmore/Evans/Paice/Simper)

No, no, no Gloria
Oh try and help me, Gloria
Standing at the station
Waiting for you Gloria

Oh standing at the station
I’ve been waiting there for you Gloria
Oh I’ve been waiting, I’ve been waiting there for you Gloria
I’ve been waiting, waiting for you Gloria

No, long day is dying
Long day is dying, Gloria
Long day is dying
Long day is dying, Gloria
Don’t you know I’m standing at the station
Waiting for you Gloria

© Hec Music

On the debut album, many of the highlights came during the original re-interpretations of these cover songs. However, on The Book of Taliesyn, it is the Deep Purple originals which really stand out. “Listen, Learn, Read On” is the default title song of the album with a heavy reverb on Evans’ vocals and a manical driving drum beat by Paice in between measured riffs and leads by Blackmore. “Wring That Neck” is an upbeat, bluesy instrumental jam that was an instant classic. Starting with Lord’s uniquely distorted organ riff and moving through a few inspired guitar solos by Blackmore (some completely solo), the piece continuously returns to the infectious main riff. “Wring That Neck” was released as a single from the album and is a true preview of “Mark II” Deep Purple of years forward.

The Book of TaliesynThe other single from the album was the cover of Neil diamond’s “Kentucky Woman”, which is driven by the pulsating bass of Simplar and the crazy drumming of Paice. While this song did reach the Top 40, it was considered a failure by the label because it was nowhere near as big a success as “Hush” had been earlier in the year. Another jam/cover medley follows with the near program piece of “Exposition”, complete with drum rolls behind deliberate guitar riffing. After going through a few very intense iterations, the piece dissolves into a groovy beat led by Simplar’s bass and the Beatles’ hit “We Can Work It Out”.

On the second side of The Book of Taliesyn, Deep Purple breaks away from the mode of their first album with a couple of truly original songs, which really make this album diverse and interesting. “Shield” builds on Paice’s drums, followed by a bass riff, guitar overlay, and piano by Lord. The vocals are very laid back and measured and the song’s best parts are when the piano and guitar harmonize for a slow but powerful riff. A percussion section in the middle leads to a partially improvised jam section and the ending percussion reprisal contains cool, rounded bass notes by Simplar. “Anthem” is a fine acoustic ballad with a great chorus harmonized hook. It’s only flaw is a production flaw, where the entire arrangement suddenly drops out for Lord’s organ intro into a middle string section, showing the groups classical leanings. This middle section also contains a great lead by Blackmore, which sounds like something Brian May might perform, and when full band returns it is at top form with a second back-to-back guitar lead by Blackmore and fantastic drumming by Paice. “River Deep, Mountain High” is the climatic ending to The Book of Taliesyn with more musical drama, including a musical mock-up of the title score to the movie 2001: A Space Odyssey before building into the frantic groove of the soul cover of this hit by Ike & Tina Turner