KERRANG NO. 107 (Nov. 1985 JOHN PARR cover, WASP, Far Corporation, Waysted, Rush, Iron Maiden, Adrian Smith, W.O.W

KERRANG NO. 107 Nov. 1985 JOHN PARR cover, WASP, Far Corporation, Waysted, Rush, Iron Maiden, Adrian Smith, W.O.W, Wendy O Williams, Lemmy

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KERRANG NO. 107 (NOV 14 ’85 JOHN PARR cover, WASP (3 pages Blind in Texas), FAR CORPORATION, WAYSTED, RUSH (4 pages Grace Under Pressure album, Iron Maidens Adrian Smith reviews albums + singles, full page of W.O.W (Wendy O Williams) breaking a TV whilst one tit is totally out of her leather bra
55-page rock & metal magazine, issue number 107 from November 14-27th, features a 3-page article with superb colour picture, also includes a superb front cover photograph taken by Ross Halfin!
“”Tour News-UFO moves Hanley gig to Exeter”” Note LA Secrets gig news, “”Mayhem – UFO press party for Misdemeanor release”” Bus accident on way back…)

KERRANG number 107

Date of issue: Nov 14 – 27 1985

Cover -John Parr

Featured artists:
Gary Holton (Heavy Metal Kids) -0.5pg obituary
Persian Risk -1 pg photo w/news
Rush -3.5pg interview w/photos
WASP -3 pg interview w/photos
Aerosmith -1 pg review w/photo
Stevie Ray Vaughan -1 pg review w/illustration
ZZ Top -0.5pg review w/photo
Adrian Smith (Iron Maiden) -1 pg guest reviewer
John Parr -3pg interview w/photos
Far Corporation -0.5pg interview w/photo
Wendy O Williams -0.5pg photo w/text
Lemmy -1 pg photo w/bass review
Waysted -0.5pg live review w/photo
Judie Tzuke -0.5pg live review w/photo
The Alarm -2 pg interview w/photo”

W.O.W Wendy O Williams:

In life and death, Wendy O. believed in three basic tenets: Never Compromise, Never Surrender, and (most importantly), Posers Get Lost. The Plasmatics, her crazed punk-metal shock rock wrecking ball, was the supersonic distillation of her Nietzsche-like belief system, and they blazed a trail of chaos and mayhem through the 70’s and 80’s that nobody could touch. Not Alice Cooper, not the Sex Pistols, nobody. Somebody had to be the wildest rocker of ‘em all, and that somebody was Wendy O. Williams.

Wendy Orleans Williams was born in Rochester, NY. She grew up on a farm, and ran away from home at age 16. In the early 70’s, she wound up in Europe, where she started a career as a stripper. She moved back to Noo Yawk and met up with filth hound Rod Swenson, who first employed her as a dancer, nude model, and one-time porn star – she had a memorable bit part in Candy Goes to Hollywood (1979) – before ol’ Rod had the brilliant idea of setting this powderkeg to blow live, on stage, with a full-fledged rock n’ roll band. And so, the Plasmatics were born.

“We’re about violence and destruction, destroying objects and material possessions of our greedy society”, Wendy said back in ’79, and she meant it, man. Early Plasmatics gigs featured exploding televisions, hangings, blood, tits, electrocutions, and searing, rip-roaring punk rock’n’roll. They were signed to Stiff, released the seminal New Hope for the Wretched in 1980, and then started doing stuff like blowing up cars on TV. There were obscenity busts, there was filth and fury, there was magic and madness. Wendy had an insatiable need for speed and excitement, which manifested itself in rock n’ roll-as-shock-performance-art. Fire, destruction, explosives, public nudity, she did it all, baby.The Plasmatics were formed by Yale University graduate and radical anti-artist Rod Swenson with Wendy O. Williams. The band was a controversial group known for wild live shows that broke countless taboos as part of an assault on American popular culture.
In addition to chainsawing guitars, blowing up speaker cabinets and sledgehammering television sets, Williams and the Plasmatics blew up automobiles live on stage. Williams was arrested multiple times and was seriously beaten in Milwaukee by the Milwaukee police before being charged with public indecency. The group was banned in London, where they were labeled as anarchists, and riots followed in Zürich and elsewhere.
The Plasmatics’ career spanned five studio albums.The core of the band consisted of vocalist/front person Wendy O. Williams, guitarists Richie Stotts and Wes Beech, and manager Rod Swenson. Bassists and drummers rotated frequently over the years
In 1988, it was officially announced that Wendy and the Plasmatics were “going on hiatus.” Rod later told Classic Rock magazine that they both knew they had stopped.
Wendys last performance of a Plasmatics song occurred due to the prompting of Joey Ramone. She performed “Masterplan” one final time with Richie Stotts, when Richies band opened for the Ramones on New Years Eve, 1988.

She went solo in 1984, releasing the Gene Simmons-produced WOW, which is a spectacular record. She followed that with the monstrous, live-without-a-net Kommander of Kaos and also starred in the camp classic women-in-prison flick Reform School Girls.
She essentially retired from rock’n’roll in the early 90s and moved to Connecticut, devoting most of her time to animal advocacy. In 1993, she attempted suicide for the first time by hammering a knife into her own chest, which is, I mean, that is the most Wendy O. way to go possible. She was discovered and rescued by Rod Swenson, but for Wendy, the die was already cast. On Monday, April 6th, 1998, Wendy O., the Metal Priestess, the Queen of Shock Rock, the Kommander of Kaos, the baddest rock’n’roll motherfucker who ever lived, took a walk into the woods near her home. She sat on a rock and fed some squirrels, then she took a pistol and shot herself in the head.  In a press release on April 7th, Swenson wrote that Wendy had been talking about suicide for nearly four years, because she “felt, in effect, she’d peaked, and didn’t care to live in a world in which she was uncomfortable, and below peak any longer.”
Wendy did it her way, right until the end. She even decided when the end was going to happen. What a bad-ass.